We’re riding our bikes through the dead.
Our new town is a lot hillier than I remember it, and the cemetery is the flattest ground we can find for a family bike ride. The day is sunny and just the right amount of warm, as we wind our way on the one-lane asphalt road, through the fields of tombstones. My kids don’t even seem to notice, but I can’t take my eyes off the names and the dates on the weathered graves. Some have been there for more than a century, names I don’t know and names that, perhaps, no one can remember.
Some are more recent.
Less than two years ago, the judge who I trembled in front of during elementary school mock trials stepped off this mortal coil and into the mystery of what comes next. It seems like yesterday he sat above us—youthful, healthy, powerful. Time undoes all of these things. We’re riding through the dead and the awareness of it does to me what it always does:
It makes me want to seize the day.
I think of that scene in Dead Poet’s Society—the young boys looking at the pictures of young men long since passed, Robin Williams leaning in amongst them, in a ghostlike whisper exhorting them, “Carpe diem. Seize the day, boys. Make your lives extraordinary.”
The urge to do so seizes me. Like it does every time I’m faced with my mortality.
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